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In addition, the bands that were supposed to open —Non Sancta and Poligamia (a group then led by a young Andrés Cepeda)— could not perform due to logistical problems, which delayed Soda’s performance until after midnight. The audience, which mostly expected Rikarena, impatiently received Soda Stereo, throwing objects and booing when the group took the stage. According to Iván Rosero, one of the attendees who recorded part of the concert, “it was a symbolic battle between rockers and merengue fans”. Among the VIP attendees were the members of Poligamia and a young Shakira, who was then beginning to succeed with Estoy Aquí. After the show, the artists met at a party in the Kilymandiaro nightclub in Puerto Colombia, where the first encounter between Cerati and Shakira took place, marking the beginning of a mutual admiration that years later would lead to collaborations and a lasting friendship. During the celebration, the DJ played music by Soda Stereo, but Cerati requested that Colombian songs be played. That night, amidst laughter and drinks of white rum, Cerati and several musicians sang “Disco Eterno” on the beach, accompanied by an acoustic guitar. A Barranquilla dawn According to witnesses, dawn found Cerati and Zeta Bosio walking through the streets of Barranquilla, eating fried food at a street stall and stopping on the road to relieve themselves, before being scared away by stray dogs. Shortly after, they returned to the hotel where they were staying, closing a night that would remain in the memory of those who lived it. That day left a unique record: an audio fragment of the concert, recorded by Iván Rosero, which circulates among collectors and is considered one of the few testimonies of Soda Stereo’s visit to Barranquilla. Today, three decades later, that night is still remembered as one of the most extravagant and magical stories of Latin American rock: when the power of merengue and the poetics of rock crossed paths under the hot sky of “La Arenosa”.




