Classical and contemporary dance in the Dominican Republic paves the way for social inclusion, cultural identity, and free access to artistic training. This was stated by Stephanie Bauger, director of the Dominican National Ballet (BND), and Edmundo Poy, director of the National Contemporary Dance Company. For Bauger, the National School of Dance (ENDANZA), one of the institutions of the General Directorate of Fine Arts, has democratized ballet by building a dance company with a Dominican stamp. “It’s a completely free school, and the only requirement is talent. People from all socioeconomic backgrounds come here,” he said. Dancers who are now part of important companies of the Ministry of Culture, such as the National Folkloric Ballet and the National Contemporary Dance Company, have graduated from this institution.
“Our artists master the classical technique, but also folk and contemporary dance, which makes them versatile and culturally rich,” explained Bauger.
“Although ballet was born in Europe, traditionally linked to white bodies and upper classes, in our country we already see multi-tone skins, which beautifies our dance corps,” she added.
One of the main achievements of the sector has been the consolidation of the International Contemporary Dance Festival (Edanco), which this year celebrates 20 years as a platform for local and international artists.
Poy assured that Dominican contemporary dance has developed its own identity.
“We have a very particular way of moving, of using our hands, of gesturing. All of that becomes raw material to create a unique Caribbean expression,” he indicated.
“It’s hard work, but whoever decides to take it on as a profession must do it with passion. Passion is what yields results”.
